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Resources, yay!

Here are the resources that I used for my research for my presentation and synopsis. I only used MS Word for organisation.

Agnew, K. (1993). The Spitfire: Legend or History? An argument for a new research culture in design. Journal of Design History, 121-130.

Amabile, T. M. (1998, September-October). How to Kill Creativity. Retrieved from Harvard Business Review Magazine: https://hbr.org/1998/09/how-to-kill-creativity

Amgueddfa Cymru – National Museum Wales. (1986). Heron, glass negative. Retrieved from Amgueddfa Cymru – National Museum Wales: Collections Online: https://museum.wales/collections/online/object/151487ac-0a87-3cf9-be9b-cf0a47686a1a/Heron-glass-negative/#

Ansburg, P. I., & Hill, K. (2003). Creative and analytic thinkers differ in their use of attentional resources. Personality and Individual Differences, 34(7). Retrieved from https://www.sciencedirect.com/science/article/pii/S0191886902001046

Baer, J. (2016, May 13). Domain Specificity of Creativity: Theory, Research, and Practice. Retrieved from Creativity Post: https://www.creativitypost.com/article/domain_specificity_of_creativity_theory_research_and_practice

Barron, F. (1969). Creative person and creative process. New York: Holt, Rinehart and Winston.

Berger, J., Blomberg, S., Fox, C., Dibb, M., & Hollis, R. (1972). Ways of Seeing. England: British Broadcasting Corporation and Penguin Books.

Bonnardel, N., & Zenasni, F. (2010). The Impact of Technology on Creativity in Design: An Enhancement? Creativity and Innovation Management, 185.

Britannica, T. E. (2016, June 10). carte-de-visite. Retrieved from Encyclopedia Britannica: https://www.britannica.com/technology/carte-de-visite

Bryant, C. (2010). A 21st-Century Art Room: The Remix of Creativity and Technology. Art Education, 63(2), 44. doi:10.1080/00043125.2010.11519061

Bunyan, D. M. (2015, October 8). exhibition: ‘in focus: animalia’ at the j. paul getty museum, getty center, los angeles. Retrieved from Art Blart: https://artblart.com/2015/10/08/exhibition-in-focus-animalia-at-the-j-paul-getty-museum-getty-center-los-angeles/

Burgess, A. (2018, August 17). The Secret Meanings Behind the Beasts in a Medieval Menagerie. Retrieved from Atlas Obscura: https://www.atlasobscura.com/articles/medieval-bestiary-allegories

Contributors, T. A. (2022). Louis Daguerre Artist Overview and Analysis. (A. Todd, Editor) Retrieved from TheArtStory.org: https://www.theartstory.org/artist/daguerre-louis/life-and-legacy/

D’Amico, V. (1953). Creative Teaching in Art. Scranton, PA: International Textbook Company.

Daniel, M. (2004, October). Daguerre (1787–1851) and the Invention of Photography. Retrieved from The Metropolitan Museum of Art: https://www.metmuseum.org/toah/hd/dagu/hd_dagu.htm

Downton, P. (2003). Design Research. Royal Melbourne Institute of Technology, RMIT.

Edmonds, E. A., Weakley, A., Candy, L., Fell, M., Knott, R., & Pauletto, S. (2005). The studio as laboratory: Combining creative practice and digital technology research. International Journal of Human-Computer Studies.

Gunning, T. (2008). Still Moving: Between Cinema nad Photography. Durham & London: Duke University Press.

Hamilton, S. (2014). Hajjin: “Photographed from Life”. Victorian Review.

Harding, C. (2013, June 27). HOW TO SPOT A CARTE DE VISITE (LATE 1850S–C.1910). Retrieved from Science and Media Museum: https://blog.scienceandmediamuseum.org.uk/find-out-when-a-photo-was-taken-identify-a-carte-de-visite/

Harry Ransom Center. (2022). The Niépce Heliograph. Retrieved from Harry Ransom Center: https://www.hrc.utexas.edu/niepce-heliograph/

Havens, K. (2017, October 27). Post Mortem Photography in the Victorian Era – As Still as the Dead. Retrieved from The Houston Museum of Natural Science: https://blog.hmns.org/2017/10/post-mortem-photography-in-the-victorian-era-as-still-as-the-dead/

Jamieson, C. (2019, March 18). Animals in Renaissance art. Retrieved from Art UK: https://artuk.org/discover/stories/animals-in-renaissance-art#

Kaplan, R., & Kaplan, S. (1989). The experience of nature: A psychological. New York: Cambridge University Press.

McCoy, J. M., & Evans, G. W. (2002). The Potential Role of the Physical Environment in Fostering Creativity. Creativity Research Journal, 14(3-4), 419-420. doi:10.1207/S15326934CRJ1434_11

National Museums Liverpool. (2022). The Lincolnshire Ox. Retrieved from National Museums Liverpool: https://www.liverpoolmuseums.org.uk/artifact/lincolnshire-ox

Nicéphore Niépce House. (2020). Nicéphore Niépce, Daguerre and the Physautotype. Retrieved from Nicéphore Niépce House: https://photo-museum.org/niepce-nicephore-daguerre-physautotype/

Nicéphore Niépce House. (2020). Niépce and the Invention of Photography. Retrieved from Nicéphore Niépce House: https://photo-museum.org/niepce-invention-photography/

Reich, I. (1960). Creativity In Research Organizations. Research Management, 3(4), 217-225.

Schön, D. (1983). The Reflective Practitioner: How Professionals Think in Action. Basic Books, Inc.

Stickings, T. (2019, October 29). Faded 177-year-old picture of a cow in Italy – thought to be the earliest photo EVER taken of a living animal – features in New York exhibition of creatures captured on camera throughout the history of photography. Retrieved from Daily Mail: https://www.dailymail.co.uk/news/article-7625363/Earliest-photo-animal-features-New-York-exhibition.html

Taylor, R., & Schaaf, L. (2007). Impressed by Light: British Photographs from Paper Negatives, 1840-1860. Retrieved from Metropolitan Museum of Art, New York, 2007: http://www.luminous-lint.com/app/photographer/Frank__Haes/A/

Théberge, P. (1997). Any Sound You Can Imagine: Making Music/Consuming Technology. Wesleyan University Press.

Verderber, S. (1986). Dimensions of person-window transactions in the hospital environment. Environment and Behavior, 18(4). Retrieved from https://doi.org/10.1177/0013916586184002

Wilson, L. (2022). 19th Century Photographic Processes and Formats, Represented in “Captured by the Camera”. Retrieved from https://concordlibrary.org/: https://concordlibrary.org/special-collections/portrait-exhibit/notes